Register
— every hand that held it, recorded.
An append-only ownership log on Base L2. What the owner claims, what the artist confirms, what the data shows — transparently stacked.
The art market still runs on paper receipts and verbal assurance. We replace that with a Log — a chain-of-custody record that travels with the work. We register what is claimed; we do not declare what is real. Authenticity is evidence, not a stamp we hand out.
- 01
The Log
Append-only entry per work on Base L2. Owner, appraisal history, transfers, visual fingerprint. Open for anyone to read, anchored so it cannot be silently rewritten.
- 02
Evidence layers, not authority
Every Log shows what supports it: self-claim, fingerprint, uploaded provenance, artist confirmation, primary-sale origin. The buyer decides how much trust each layer is worth.
- 03
Artist confirmation when offered
If the artist opts in, their signature is added as its own layer — strongest signal, but never a requirement. An unconfirmed Log still exists, clearly labelled.
- 04
Automated droit de suite
Built-in resale royalty flow on confirmed Logs. Honours what EU law already says but rarely enforces.
- 05
Privacy-first design
Record on-chain, personal data off-chain. GDPR-native.
Appraise — instant, documented, defensible.
Hybrid AI architecture. Gemini 2.5 Pro reads the photograph; Claude Sonnet 4.6 writes the narrative. Ranges, not single numbers.
Belong — reputation, measured in how you look.
A Collector Score that grows with activity. Access to curated drops. A community of patient, data-driven buyers.
A favourable fiscal corner.
Art sits in one of the few asset classes with real tax advantages. We surface these quietly — not as advice, as context.